Industrial apocalyptic: Neoliberalism, coal, and the burlesque frame

Jennifer Peeples, Pete Bsumek, Steve Schwarze, Jen Schneider

Research output: Contribution to journalReview articlepeer-review

21 Scopus citations
7 Downloads (Pure)

Abstract

Rhetorical scholarship and cultural commentary have demonstrated that environmentalist voices are consistently associated with apocalyptic rhetoric. However, this association deflects attention from the apocalyptic rhetoric that comes from industry and countermovements to environmentalism. This essay seeks to remedy that oversight by proposing the concept of "industrial apocalyptic" as a significant rhetorical form in environmental controversy. Based on analysis of the rhetoric of the U.S. coal industry, we find that these industrial apocalyptic narratives rely on a burlesque frame to disrupt the categories of establishment and outsider and thus thwart environmental regulation. Ultimately, we argue that industrial apocalyptic co-opts environmentalist appeals for radical change in the service of blocking such change and naturalizes neoliberal ideology as the commonsense discourse of the center.

Original languageEnglish
Pages (from-to)227-253
Number of pages27
JournalRhetoric & Public Affairs
Volume17
Issue number2
DOIs
StatePublished - 2014

Keywords

  • coal
  • corporate rhetoric
  • energy
  • energy policy
  • environmental communication
  • industrial rhetoric
  • rhetoric

EGS Disciplines

  • Critical and Cultural Studies
  • Speech and Rhetorical Studies

Fingerprint

Dive into the research topics of 'Industrial apocalyptic: Neoliberalism, coal, and the burlesque frame'. Together they form a unique fingerprint.

Cite this