Abstract
The Handmaid’s Tale is a novel by Margaret Atwood that has won numerous awards for its frightful dystopian imagery. It was recently adapted for series television, an adaptation that has led some to see beyond the confines of the printed word. Columnists for a number of newspapers and magazines have suggested the television series provides insights into contemporary politics and religion. This study examines the way these essayists wrestled with various interpretations of the show. Some writers based their fearful reaction to the show on the Trump administration. Others, though, scoffed at this interpretation and seemed to enjoy doing so. In this study I examine how these dissonant interpretations might raise very good questions about how scholars think about media, religion, and fear.
| Original language | American English |
|---|---|
| Pages (from-to) | 145-164 |
| Number of pages | 20 |
| Journal | Journal of Media and Religion |
| Volume | 19 |
| Issue number | 4 |
| DOIs | |
| State | Published - Oct 2020 |
EGS Disciplines
- Communication
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