Quand Camus ne fait pas de théâtre

Jason Herbeck

Quand Camus ne fait pas de théâtre

World Languages

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Abstract

Herbeck illustrates the lexical and ideological similarities with which Camus wrote about his two greatest passions — the theatre and soccer — over the course of his lifetime. He illustrates how, when Camus found himself unable to devote himself fully to the stage and writing plays, he nonetheless turned to the theatrical, both literally and figuratively, in his philosophical essays, literary works and interviews as a means of articulating key struggles relative to the human condition.

Original language	American English
Title of host publication	Cahiers de l'Herne, Vol. 103: Albert Camus
State	Published - 1 Jan 2013

EGS Disciplines

Modern Languages

Cite this

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title = "Quand Camus ne fait pas de th{\'e}{\^a}tre",

abstract = " Herbeck illustrates the lexical and ideological similarities with which Camus wrote about his two greatest passions — the theatre and soccer — over the course of his lifetime. He illustrates how, when Camus found himself unable to devote himself fully to the stage and writing plays, he nonetheless turned to the theatrical, both literally and figuratively, in his philosophical essays, literary works and interviews as a means of articulating key struggles relative to the human condition.",

author = "Jason Herbeck",

note = "Jason Herbeck. (2013). {"}Quand Camus ne Fait pas de Th{\'e}{\^a}tre{"}. In R. Gay-Croiser and A. Spiquel-Courdille (Eds.), Cahiers de l'Herne ({\'E}ditions de L'Herne, Vol. 103: Albert Camus, pp. 201-205). Paris.",

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N2 - Herbeck illustrates the lexical and ideological similarities with which Camus wrote about his two greatest passions — the theatre and soccer — over the course of his lifetime. He illustrates how, when Camus found himself unable to devote himself fully to the stage and writing plays, he nonetheless turned to the theatrical, both literally and figuratively, in his philosophical essays, literary works and interviews as a means of articulating key struggles relative to the human condition.

AB - Herbeck illustrates the lexical and ideological similarities with which Camus wrote about his two greatest passions — the theatre and soccer — over the course of his lifetime. He illustrates how, when Camus found himself unable to devote himself fully to the stage and writing plays, he nonetheless turned to the theatrical, both literally and figuratively, in his philosophical essays, literary works and interviews as a means of articulating key struggles relative to the human condition.

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M3 - Chapter

BT - Cahiers de l'Herne, Vol. 103: Albert Camus

ER -

Quand Camus ne fait pas de théâtre

Abstract

EGS Disciplines

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